In my case almost always HD, so when I go into the fusion comp I have already lost resolution (again this is fine if delivering HD) but if I want to send that new fusion comp to graphics at source resolution I cannot.Ī definitive answer on how to handle this workflow would be great. As you may know, fusion/compound clips default to timeline resolution when made. Where I really see an issue is when working inside a fusion clip. This is a fantastic tool for upscaling images from. I just wanted to confirm that this workflow is valid. SUPER SCALE allows Resolve to resize images using a far more powerful algorithm than the transform zoom tool. What I have been doing is making a copy (removing all sizing done in the inspector) going to deliver page and rendering an "individual clip" and checking the "at source resolution": button. I believe "scale" is fine because I am delivering HD BUT sometimes I need to send things over to the graphics dept at full frame and source resolution. When working with say UHD footage in an HD timeline (and delivering final render in HD) Should I be working in Scale entire image to fit or center crop with no resizing? Basic fundamental question that I see all over the forums but can't seem to find a DEFINITIVE answer.
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